Easy wire connection with spring-loaded wire connectors
Product Description
Short profile design allows installation in tight space areas or within 2" x 4" wall studsEasy wire connection with spring-loaded wire connectors
Product Description
The Canon XL2 allows you to capture images closer to the finished product than ever before. Work that previously was limited to post-production can be simply and effectively accomplished in the field, in the camcorder.An Open Architecture philosophy, performance found only in much more expensive video cameras, Total Image Control and the solid foundation of Genuine Canon Optics, interchangeable lens capability and superb Canon image processing quality are united in the XL2.The XL2 brings a host of performance and convenience features to this class of video camcorder- benefits that can't be found in this combination on other high-end video cameras. They include: Canon Super Range Optical Image Stabilization in the standard lens; dual aspect ratios; various frame rate capabilities; image gamma and detail controls; skin detail control and convertible LCD display and among others.Unprecedented image control coordination between two XL2 cameras, remote computer camera control and direct video recording to computer are just a part of the capabilities of the XL2. Never before has so much creative power been put in the hands of the film maker, video artist, and corporate and event videographer.
Customer Reviews:
I really like this camera.......2007-07-21
I have used this for a year at my college. I do not know why some people dislike it. I love it! and on my opinion, It is the closest to HD your gonna get while not getting HD. You guys gotta realize that this camera has shot some big movies like Cold Mountian. I must say though the panasonic dvx100b is quite comparable, because I have used that too. But I like this camera I do not care what people say about it. It is so customizable that you will be surprised when you mess around with it's advance functions. nice camera, a little pricey, but all in all it's more professional than some other people say.
Best Purchase.......2007-02-04
Now, some individuals will try to convince you the XL2 is a poor Prosumer camcorder and will give seemingly good arguments. Don't buy into it.
For instance, a reviewer lower down this page complains the camera arrived broken and thus reviews it as a horrible machine. Unfortunately, this said reviewer doesn't talk about the actual functionality of an actual undamaged product, rather his own broken camera. Needless to say, his opinion is vastly slanted.
Another compares the XL2 to the DVX100 series from Panasonic and prefers the latter. He states the XL2 is too heavy and doesn't achieve the same calibre results as the cheaper Panasonic camcorder.
First of all, Canon has continued to revolutionize the photography industry for decades. They have proven themselves in both film and digital formats, for both still camera and camcorder. True, the XL2 lacks some features other more expensive cameras have (compare the JVC GU1000) but that's okay. And, yes, the camera has a very large body and is definately heavier than the Panasonic DVX100, but this is for specific reasons.
You have to first consider why you want a prosumer camcorder. If you just want to shoot hobby short films and want a professional look, I suggest you stick with either the higher-end Canon or JVC or Panasonic or even Sony (god forbid) consumer camcorders which run around $900. On the other hand, if you're considering becoming a serious hobbyist and don't intend to turn it into some sort of profession then Panasonic's DVX series is a good buy. The DVX 100's are cheaper, smaller, and somewhat easier to use. They are far more "point-and-shoot" than the other prosumer camcorders on the market. And they do a fairly good job.
Yet, the XL2 manages to not only hold its own, but also triumph over all other camcorders in the industry. First and foremost, the XL2 has the option to change lenses. This is a great boon for any serious shooter because attaching an actual lens to a camera gives far better results than slapping on some sort of adapter, which distort the image. Canon offers two lens types for the XL2: the included 20X zoom lens and a 3X wide angle lens; both are very expensive by themselves. But, with an optional Canon ring adapter running for $300, you could take your normal Canon SLR still camera lenses and attach them to the body and have them function perfectly. This allows the user a plethora of imaging options when shooting. Now, the normal user won't ever use anything other than the 20X zoom lens (a remarkable piece of machinery in itself), but that's just fine. You're buying the camera for its options and potentials as well as the physical benefits. Think of it like buying a BMW: you buy the car for its physical features you're likely to use (the radio, heated seats, leather, sunroof, etc.) but you also buy it for its safety and cumstomer service, things you'll hardly ever need. It just makes you feel good you have those options available.
Furthermore, the XL2 is a wonderful camera. It shoots beautifully without problems of any sort. Yes, it takes some getting used to, but that's because it has a lot of fuctions and options. The physical body design is simple enough that all the necessary shooting options (i.e., 24P, 30i, 60i, mic adjustments, white balance controls, presents, etc.) are easily accessible. The end product of a regular shoot is stunning. The Canon lens captures colors almost perfectly and the image stabilization built into the camera is a great help. The large body design (though awkward for some) is actually a benefit. The camera can be placed on the shoulder, giving greater stability to the shoot. You can't do that with a Panasonic or Sony.
No, the camera doesn't have a LCD screen on the side, but do you really need one? An LCD screen is not only distracting but also a battery hog, and takes precious room for control options or accessories that could other wise be placed where the LCD is built in. An LCD is great for consumer cameras because they're small and nobody wants to look through those one-inch viewfinders. But the XL2 has a very nice, large color viewfinder, and can be comfortably used with the camera on your shoulder. For those running hand-held shots you can flip part of the viewfinder open and can see a 1.5" LCD display. It's not dazzling or great, but it gets the job done. You're out in the field to get footage, not admire the LCD screen.
Finally, the XL2 offers XLR microphone inputs, a big bonus for people who want good sound in their video. You won't find this feature in either Panasonic or Sony prosumer camcorders.
In the end, Canon's XL2 is a beautiful camcorder. It offers you a lot more than you know at first glance, and delivers near-perfect results. The closest competitor would be the far more expensive (by at least $1000) Panasonic GU1000, which is very similar to the XL2. If you're still not sure about the camera, I suggest you take a ride down over to your nearest Fry's to experiment. Or, you can visit the local TV station and ask them to tell you a little bit about why they're all using XL2's over the other camcorders on the market. No...seriously...they are.
Go figure.
Standard Definition doesn't get much better.......2006-08-07
The Canon XL2 is as good as the Panasonic equivalent. Both of these cameras are better than eachother depending on who you ask. If you ask me, the Canon's picture is more pleasing, less noisy, and more capable in difficult shooting situations. I love Canon's controls, everything you need is available without searching through menus. The Panasonic is lighter, less awkward to use, and more compact; but Canon's lens and features more than make up for it in my opinion. Best camera you can get for the money.
Okay for the 60i.......2005-09-11
I'm a non-byist consumer; and ex-owner of the XL1 and XL1S.
We recently "upgraded" to the XL2 for an upcoming film shoot.
BAD NEWS. The camera's we ordered both came "defective", according to Canon tech support (they were drop shipped from their facility brand new - and NOT black market). Now, I find this hard to believe, and I think the issues are with the computer which controls output for the camera.
In 30P mode, any vertical lines flicker/pixelate, and images blur as they move past the camera - It's much choppier than the old "frame mode" on the XL1 and XL1s.
In 24P mode, the entire image flickers, vertical lines go insane, and using the standard 1/24 shutter speed, the images are CHOPPY as they walk by the camera. Any vertical lines jump about. There is not image clarity the minute anything moves.
In 60i - the camera looks fine, but that defeats the purpose of owning the camera entirely!!!! Unless you want to drop frames/filmlook upon completion, this is not an option.
In previous XL models, the frame mode had it's issues...soft focus, lowered resolution, choppy images if moving right in front of the camera...However, the 24P is a joke. No person in their right mind could use this, unless to produce nausea! And, believe me, the resolution output on this camera, if anything, is lower - and I'm using the optional 20X super-wide XL2 lens ($1500).
I've shot with the XL1, XL1s, DVX1000 - they ALL blow this thing away.
Now, I'm stuck with a Canon, as I purchased unreturnable accessories for this thing. So, as I read user comments, I'm praying that just certain cameras have these issues. It seems others on message boards have this issue, but folks tell them they're crazy (they're not - believe me). I'm forced to drive 100 miles to the closest store with the XL2 in stock, hoping that the 24P or 30P or their floor model is somewhat clear. If not, I'll have to buy back my old XL1!!!!!
BE VERY CAREFUL IF YOU DECIDE TO BUY THIS CAMERA. It's not PRO at all!!!!!!!!!!
Heavy and image quality not as good as i thought.......2005-04-08
I looked at this and the DVX100. I plumped for this because it had better low light support and interchangeable lens.
PLUS: Its beautifully and solidly made and the delivered lens is amazing
For frames without moving components the image is immaculate.
The sound is great.
It looks cool.
MINUS:
Its heavy and big . Needs a strong tripod and a big dry cabinet.
The remote zoom only has one speed and you cant change it. If you dont have a really big sturdy tripod the camera will shake if you touch it particularly at maximum zoom so the cool multi speed zoom cant be used easily.
But my big beef is......
The general point of video cameras is to capture motion and if there are straight vertical lines moving (like those on a fashion model walking down a catwalk in a silk dress ) the vertical edges have fringes which looks kind of ugly. If the models are dressed in green or in greeen light its even worse. Just had a shoot rejected for this reason.
I am not the only person to see this issue and there is much debate on the internet whether this is a "real" Canon problem or not. My view is this. You can buy a camera for 1/3 of the price that does not show this "feature" - therefore its Canons problem. If the quality of the cameras capture, exceeds the delivery capability of the format it supports and makes things look worse because of it there is not much point in paying for the extra capture quality.
There are a lot of glowing reviews for it but definitely try before you buy. Do not buy unseen based on reviews (I did). I realise now all the examples i saw were of stills not motion. Take some motion videos and see what you think. I now regret my purchase.
Product Description
This high quality 90-degree multicoated mirror diagonal allows you to take advantage of the wider field of view provided by 2" eyepieces. A much higher quality than standard diagonals, it fits all rear cells of Schmidt-Cassegrains (comes standard with CGE 1400). Includes an adapter to accept 1 1/4" eyepieces and an adapter to use with refractor telescopes.
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